Home African Art Meet Jepchumba African Digital Artwork Founder – African Digital Artwork

Meet Jepchumba African Digital Artwork Founder – African Digital Artwork

Meet Jepchumba African Digital Artwork Founder – African Digital Artwork

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African Digital Artwork | Nandi Market will diversify the face of ‘tech-billionaires’. We envision a future the place the world shall be enriched by Africa’s legacy of expertise and tradition. It’s time that African creators and technologists faucet into the assets, funding and alternatives that beforehand excluded them.

Jepchumba

In 2010, Jepchumba launched herself on the middle stage of Africa’s digital world on the TedxEuston convention in London. Jepchumba shared her early imaginative and prescient for African Digital Artwork (ADA), a platform centered round Africa’s expertise and artwork tradition. On the time, she didn’t know that TedxEuston can be probably the most notable TED-like occasions devoted to spreading the perfect concepts and innovation from throughout Africa and the worldwide Pan-African diaspora, with famend audio system like Chimamanda Ngozi Adiche,  the late Komla Dumor, and the late Binyavanga Wainaina.  

Her identify, Jepchumba, interprets to ‘foreigner’ in Nandi, a Kenyan language. Because the identify implies, Jepchumba was born to Kenyan dad and mom who traveled the world as civil servants of Kenya. Her international upbringing developed her fervent ardour for Kenya after which by extension African international tradition. A self-confessed futurist and thinker, Jepchumba would later delve deep into sustainable farming, practising the strategies generations of her household adopted over centuries. Her experiences dwelling in India, Tanzania, Djibouti, South Africa, United Kingdom and the US, solidified her need to study every little thing she may about international African tradition.

African Digital Artwork Altering the African Narrative

Jepchumba went to an American missionary Christian boarding college in Kenya, Rift Valley Academy (RVA), based in 1906 by Charles Hurlburt. The varsity most notably has a cornerstone laid in 1909 by US President Theodore Roosevelt who got here to Kijabe on a looking tour. She studied at a faculty designed as a colonial undertaking for educating missionary youngsters who had come to Africa to eradicate indigenous tradition and African thought. Her complicated upbringing led to a deep love for crucial pondering and philosophical experimentation, and the dearth of freedom to suppose critically provoked an uncompromising dedication to curiosity. Her journey led her to change into a digital ambassador, championing the ingenuity of Africans in Africa and the diaspora. 

Rift Valley Academy, Kijabe Kenya

In 2009, search engine outcomes for Africa displayed principally photos of wildlife and disadvantaged households, and Jepchumba made it her mission to alter the face of Africa on-line by representing and showcasing the perfect artistic expertise on the continent. Her concept was easy, and visibility can be the perfect place to start out. In the identical 12 months, Jepchumba based the African Digital Artwork within the midst of the burgeoning tech growth in Kenya. As tech giants resembling Safaricom took heart stage, Jepchumba wished to discover new prospects for artistic expertise in Africa. In response to the rising concern that Africa couldn’t communicate for itself, African Digital Artwork was designated as a web-based area to deliver visibility to artists and artistic technologists that always have been invisible within the dialogue of innovation and expertise in Africa.

Over a decade later, Jepchumba has featured hundreds of artists changing into the most important on-line digital assortment of African artwork that focuses on the cultural illustration of black folks internationally. What began as a platform to merge Jepchumba’s ardour for digital media and Africa and to show that African artwork goes past conventional masks, work, and sculptures has advanced into making a sustainable ecosystem that makes use of expertise and group as a robust instrument to empower black artists, collectors, and lovers.

What began as a platform to merge Jepchumba’s ardour for digital media and Africa and to show that African artwork goes past conventional masks, work, and sculptures has advanced right into a group that makes use of expertise to empower black artists, collectors, and lovers.

Empowering Artists By way of Know-how

At this time her mission for African Digital Artwork has gone past showcasing African artwork. Jepchumba plans to shatter the worldwide artwork market. She believes artwork, expertise, tradition, and the financial system have converged in a candy spot to create wealth for black artists and collectors worldwide. Jepchumba and the group at ADA will proceed to push digital boundaries and transcend what has been thought-about doable for black people in Africa and the diaspora, and create wealth for black prosperity.

Jepchumba is redefining the narrative of African artwork and hopes to merge on a world scale the African type of inventive expression with expertise. She believes that expertise has paved the best way for brand new and unlikely folks and views to take part in African ingenuity and inform a extra healthful story of Africa and blackness. Jepchumba’s ardour for black prosperity, Africa, expertise, and digital media has created an ‘Unintentional Curator of African digital Artwork,’ however she says there’s nonetheless extra work to be completed. Now, Jepchumba is asking why there aren’t any African tech billionaires and why all tech billionaires look and sound the identical? She believes that ADA will diversify the face of ‘tech-billionaires’ and envisions a future the place unconventional African tech-creatives like herself – a black feminine farmer from Kenya, could have entry to funding and alternatives that beforehand excluded them. 

Jepchumba has been listed by Forbes as one of many 20 Youngest Power Women in Africa, by Guardian as Africa’s Top 25 Women Achievers, and Africa’s Top 10 tech pioneers, Apollo 40 under 40, Art & Tech, amongst many others. Whereas these awards present some recognition for Jepchumba’s work over the previous 12 years, Jepchumba believes that the way forward for ADA is even brighter, and the probabilities of African digital artwork and expertise are infinite. Jepchumba and the group at ADA are enamored with the concept of making an area that prioritizes, empowers, and advocates for African digital artists and collectors and are working to maximise the fullest potential of the intersection between expertise, creativity, and design by black folks internationally

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