Home Features Art How Cursed VFX toned down the gore with out dropping its edge – Options

How Cursed VFX toned down the gore with out dropping its edge – Options

How Cursed VFX toned down the gore with out dropping its edge – Options

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Adapting Frank Miller”s imaginative and prescient to be extra PG-13, and fewer 300.

The Netflix collection Cursed is a comic book book-inspired retelling of the Arthurian legends – so that you’d count on lots of sword-fighting and bloody fight. Behind the scenes, VFX artists from Goodbye Kansas Studios needed to work exhausting to make the violence look vivid and visceral, with out making the motion too intense for a younger grownup viewers. 

Cursed is predicated on a graphic novel written by Thomas Wheeler and illustrated by Frank Miller, the celebrated comedian e-book author who made the leap into cinema to make movies like 300 and Sin Metropolis. Goodbye Kansas’ London studios labored on the VFX for Cursed, which tells the story of a younger heroine referred to as Nimue who’s destined to grow to be the Girl of the Lake and go an historical, legendary sword to King Arthur. 


In addition to constructing Pendragon Fortress, probably the most iconic places within the collection,
Goodbye Kansas was in control of the delicate job of making blood and gore for the present’s motion scenes. Artists and producers labored with Frank Miller, combining his well-known graphic aesthetic with sensible touches required to floor Cursed in actuality and make the motion plausible. 

Ditch Doy, VFX supervisor, stated: “A few of our work concerned including a little bit of gore. I’m an enormous fan of Frank Miller’s work, however regardless that we beloved 300, we needed Cursed to be violent, however plausible. 

300 is predicated on a graphic novel and is a complete blood fest. It seems actually cool and has a ravishing trendy aesthetic – which wasn’t proper for Cursed. 

“We needed to tread a advantageous line between making the present bloody sufficient to look stylised and funky, while ensuring it didn’t go excessive. So we did an entire library of various squibs and splats so we may dial the violence up or down the place obligatory. It was lots of enjoyable!”

Frank Miller initially needed to make use of the color Pantone Heat Purple C for the blood, however after experimenting with this vivid tone, Goodbye Kansas selected a distinct strategy. 


“You need to use Heat Pantone C as the color of blood should you’re placing it on a web page with a pen, however should you’re attempting to position blood in an actual surroundings with sensible lighting, it should simply appear like a bizarre glowing neon liquid,” Ditch provides. “
Cursed was shot in a photorealistic surroundings with human actors, whereas 300 was filmed towards a inexperienced display screen and was results pushed.

“We tried the Heat Pantone C, but it surely didn’t work. It’s important to keep in mind that VFX has to obey the bodily lighting of the surroundings as a way to look plausible. You probably have Pantone colour-blood lit with blue mild, it’s jarring and takes the viewers out of the scene and away from the drama. As a substitute of participating with the motion, they’re simply questioning why there’s this neon purple stuff everywhere.

“It was a studying curve, however I believe our blood continues to be slightly graphic, however sensible. We pushed it so far as we may while nonetheless protecting every little thing plausible.” 

The Goodbye Kansas staff used numerous colors for the blood to suit the scene and generated the VFX in Houdini.

Ditch says: “We modified the color relying on what it was doing and what the background appeared like. When you get darkish blood towards a darkish background, you gained’t see it, so it needed to be made extra vibrant with a purple, gory specular tone. But when the background was mild, then the blood might be black. 

“We used Houdini to do the simulations which created the blood, as a result of it’s excellent at fluid dynamics.”

Cursed is accessible to look at now on Netflix.

Associated: Goodbye Kansas on the making of Cyberpunk 2077‘s Keanu-tastic trailer

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